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I think Blackmagic have their ISO at a sensible level. There are other cameras with insane ISO levels, but they become incredibly grainy which means a lot of work in post.

I tended to stay around ISO 2500 but you can go as high as 25,600. The other great thing about this camera is the really high native ISO. Which is very good when you are using hard lights, because you have detail well into the shadows under leaves and things. “I have to say the 13 stops of latitude was also really great, because you can see into all of the dark spots. So the smaller micro four thirds sized 4K sensor used by Blackmagic Design, is much better for this kind of shooting.” Larger 4K sensors tend to play havoc with your depth of field with this sort of work. The great thing about the probe is it will cover all of the 4K sensor. “This was the first time I had shot with the Laowa probe or the Blackmagic Pocket Cinema Camera 4K. ‘Bugs is a unique project where Peter could try out the Blackmagic Pocket Cinema Camera 4K in the world of macro filmmaking. Peter Nearhos talks about using the new Blackmagic Pocket Cinema Camera 4K and the Laowa probe lens for the first time. You expect all of this from big cameras, but not something this small with that little of a price!” Also the ability to shoot a Log image and drop a LUT straight onto it in the camera, was super handy. Having all of this in a package that small, was truly amazing. It was incredible to see all of these proper filmmaking features like false color, that I rely on with the bigger cameras also included. But because of the price, it all seemed a little too good to be true. I had checked out the specs of the camera and thought it was pretty amazing to get all of that into something that small. “I went into this camera test with an open mind. I wanted it to look like I was running along with the rider with as much variety as possible.” The direction I went with was to break up the slow motion tests with as much life as I could to juxtapose into the flow. “I really wanted to mix my shots up as much as possible, because it can look pretty boring when you shoot mountain bikes all in slow mo. ‘Mountain Bike’ is Joey’s test of the camera’s high speed performance. After that just apply my Tourbox preset in the Tourbox console.Joey Knox talks about using the Blackmagic Pocket Cinema Camera 4K. However since I use my custom keyboard layout it means that you will need to first change your keyboard settings by applying my settings in Resolve.

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If you like using Tourbox like me when editing or photo retouching then you can download my presets HERE. This is what I shoot with on most of my projects so that I have the most flat possible looking image which allows me to adjust the colors further yet get more latitude out of my images. Here is the flat picture style preset I use on my Canon DSLR’s. If you use this in your productions, please share your final results with me and others on my Facebook page. Here are the hand drawn animations that I did for my YouTube film “Cartoon Wars” which you can see here.

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You can watch the full video comparison of these 2 cameras here. Here are some sample shots from both the ZCam E2 and Blackmagic Pocket Cinema Camera 4K that I did during my side by side tests. Simply put it on top of your footage to get the proper widescreen aspect black bars on top and bottom. Various standard aspect ratios in 4K resolution, 4K UHD, 2K & Full HD. More info about these LUTs (and my custom GH5 settings) here. This way you’ll be able to view your shot in normal video, while filming in the flat profile. I also have another version of this LUT (.vlt file) that you load onto your Panasonic camera. I created a custom LUT for converting Panasonic V-Log L to the standard Rec.

The LUT converts the color space to bring back all the colors without any shifts, but do it without decreasing the dynamic range of the footage (which is what happens when using the standard Film to Rec709 LUT from Blackmagic Design). If you own the URSA Mini 4.6K and like the maximum dynamic range of the film LOG profile, but don’t like its flat and colorless look, then this LUT is for you.

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If you like using these free LUTs, then please support what I do by purchasing my CineColor LUTs, which will give you forty awesome cinematic looks.

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If you have not used LUTs before, please watch my tutorial on how to use them here.Ĭlick here to download the Tom Antos Film-Look LUTs! I have made available – free of charge – three different LUTs that you can use in your videos to instantly get that classic “film look”. I did a video tutorial about how to use this cheat sheet and learn to operate any camera. Download and print out your own Photo & Video Cheat Sheet! It’s a quick reference card that will help you set the right camera settings for perfect creative control.